林家同院長對於水墨畫作及書法美學的佈局興趣著墨，畫中以雲朵最能帶出韻涵意境，水墨創意畫作師承國際水墨大師葛憲能大師之『台灣葛式水墨』，書法筆運師承周良敦書法大師，畫作及書法皆以新創意為主。山水畫作以五行佈局，佐以山水入境，大寫意之「瞬間創下永恆」，筆觸能灑脫、驚濤、運用創意發展。創作時秉持水墨始祖齊白石精神，妙在「似與不似之間」，形成大寫意的風格，近山及遠山也時而破墨、潑墨、交錯合併創作，和歷代多數山水藝術家先淡後濃墨之技法全然不同，雖是具象卻又近抽象山水之以濃墨為先。秉持自然、自由、自在之韻涵，結合並融入西方真善美以及中國的禪學，佈局陰陽五行、正能量結構引入能量、氣動、氣場。
Morris Lin, a Taiwanese brush painter, developed a strong interest in Chinese brush painting since childhood. He built more passion to combine the layout of brush painting and calligraphy aesthetics. In his paintings, shading of the “clouds” are the spirit to bring up the rthyme of the works. Morris inherited the skill from international brushing master Mr. Ge Xianneng’s “Taiwan Ge Style” and international calligraphy master, Liang-dun Zhou.His landscape paintings are laid out in wuxing (Chinese philosophy, also called five phases), accompanied by the entry of mountains and rivers. The freehand brushwork is “an instant to create eternity.” Adhering to the spirit of Bai-Shi Qi, the ancestor of Chinese brush painting, the beauty lies in “between likeness and dislikeness”, forming a style of freehand brushwork. The near mountains and distant mountains sometimes break ink, splash ink, and combine and merge their creations. In contrast to most landscape artists in the past, the ink was light and then thick. The technique is completely different. Although it is concrete, it is close to the abstract landscape, with thick ink first. Adhering to the rhyme of nature, freedom, and freedom, combining and integrating Western truth, goodness and beauty as well as Chinese Zen, the layout of Yin and Yang, the five phases, and the positive energy structure introduces energy, aerodynamics, and aura.
